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3 Comments
My best interpretation: You live with someone who plays a keyboard without headphones and it annoys you.
Story of my life: say hello to people, then go practice in my apartment with headphones until I have to go out and say hello to people again.
There’s some sort of phenomenology at play here. The noise, sourceless at first, becomes unbearable silence, when we find ourselves to be excluded from Stephens sonic escape. I take it he wanted to illuminate the absurdity, of rather wanting dead silence, than the soft, mind-wandering timbres of the piano.
Whatever the meaning, this is one of my favorite pieces.